I am still going to be thinking in a textile way; something interesting I read/heard about in my Contextualising Practice lecture on Narrative: Word and Image really came to mind as I have been thinking about sequences and narratives as a way as exploring my concept...
'HOW FAR CAN WE PUSH CONVENTIONAL CODES TO COMMUNICATE WITH EACH OTHER?'
If I think in terms of BOOKS
'TEXTS AND TEXTILES
- CONNECTIONS IN THEIR SPELLINGS
-INTERLACING OF SEVERAL STRANDS
-STRINGING TOGETHER, DEFINING THE CONTINUAL LINEAR OF THE SELF'
If thinking about NEW MEDIA/INSTALLATION
'LOOKING AND READING
-FORMER; OPENNESS OF INTERPRETATION AND FREEDOM OF MENTAL AND SENSUAL MOVEMENT
-LATER CONFINES THE READER TO A PREDETERMINED OUTCOME, A ROUTE CONSTRUCTED FROM A HORIZONTAL ROW OF LETTERS.'
STUDIO SMACK
-Blocked out everything that wasn't graphic, making sense of a city...
BY THE WAY
-photographic zigzag book, documenting a car journey, shot from the window of a car in real time...
I think and hope my lectures are going to give me some new inspiration and assist my practical work very well...
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