The aesthetic value of her work was what initially drew me in; organised, notes, grids, minimal, thoughful, framed! And I really became interested about her ideas in time and systems and obsessiveness with what she was doing.
Tuesday, 6 March 2012
Numero 3: Hanne Darboven
I think I was very lucky to discover (thanks to google) that an exhibition of Hanne Darbovens work was being show at the Camden Arts Centre in London. I have only recently come across her work, but she is someone I find very intriguing as she combines her practices as a pianist and mathematician to record time and her everyday, importantly trying not to create art.
The aesthetic value of her work was what initially drew me in; organised, notes, grids, minimal, thoughful, framed! And I really became interested about her ideas in time and systems and obsessiveness with what she was doing.
The aesthetic value of her work was what initially drew me in; organised, notes, grids, minimal, thoughful, framed! And I really became interested about her ideas in time and systems and obsessiveness with what she was doing.
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